Fear and Trembling

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Love is the child of illusion and the parent of disillusion.
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Fear and Trembling (original Danish title: Frygt og Bæven) is a philosophical work by Søren Kierkegaard, published in 1843 under the pseudonym Johannes de Silentio, meaning roughly "John the Silent" in English.


  • Not merely in the realm of commerce but in the world of ideas as well our age is organizing a regular clearance sale. Everything is to be had at such a bargain that it is questionable whether in the end there is anybody who will want to bid.

A Panegyric Upon Abraham

  • If there were no eternal consciousness in a man, if at the foundation of all there lay only a wildly seething power which writhing with obscure passions produced everything that is great and everything that is insignificant, if a bottomless void never satiated lay hidden beneath all–what then would life be but despair?
  • It is human to lament, human to weep with them that weep, but it is greater to believe, more blessed to contemplate the believer.

Preamble from the Heart ==

  • ... passion is necessary. Every movement of infinity comes about by passion, and no reflection can bring a movement about.
  • Most people live dejectedly in worldly sorrow and joy; they are the ones who sit along the wall and do not join in the dance. The knights of infinity are dancers and possess elevation. They make the movements upward, and fall down again; and this too is no mean pastime, nor ungraceful to behold. But whenever they fall down they are not able at once to assume the posture, they vacillate an instant, and this vacillation shows that after all they are strangers in the world. This is more or less strikingly evident in proportion to the art they possess, but even the most artistic knights cannot altogether conceal this vacillation. One need not look at them when they are up in the air, but only the instant they touch or have touched the ground–then one recognizes them. But to be able to fall down in such a way that the same second it looks as if one were standing and walking, to transform the leap of life into a walk, absolutely to express the sublime in the pedestrian–that only the knight of faith can do–and this is the one and only prodigy.
  • "I believe nevertheless that I shall get her, in virtue, that is, of the absurd, in virtue of the fact that with God all things are possible."
  • "By virtue of the absurd thou shalt get every penny back again. Can you believe that?"
  • It is supposed to be difficult to understand Hegel, but to understand Abraham is a small matter. To go beyond Hegel is a miraculous achievement, but to go beyond Abraham is the easiest of all. I for my part have applied considerable time to understanding Hegelian philosophy and believe that I have understood it fairly well; I am sufficiently brash to think that when I cannot understand particular passages despite all my pains, he himself may not have been entirely clear. All this I do easily, naturally, without any mental strain. Thinking about Abraham is another matter, however; then I am shattered.

Problemata I

  • Is there such a thing as a teleological suspension of the ethical?
  • To explain the whole of existence and faith along with it, without having a conception of what faith is, is easy, and that man does not make the poorest calculation in life who reckons upon admiration when he possesses such an explanation; for, as Boileau says, "un sot trouve toujours un plus sot qui l'admire."
  • It is great when the poet, presenting his tragic hero before the admiration of men, dares to say, "Weep for him, for he deserves it." For it is great to deserve the tears of those who are worthy to shed tears. It is great that the poet dares to hold the crowd in check, dares to castigate men, requiring that every man examine himself whether he be worthy to weep for the hero. For the waste-water of blubberers is a degradation of the holy. – But greater than all this it is that the knight of faith dares to say even to the noble man who would weep for him, "Weep not for me, but weep for thyself."

Problemata II

  • The true knight of faith is a witness, never a teacher, and therein lies his deep humanity, which is worth a good deal more than this silly participation in others' weal and woe which is honored by the name of sympathy, whereas in fact it is nothing but vanity.

Problemata III

  • A man rouges his face and wears a periwig. The same man is eager to try his fortune with the fair sex, he is perfectly sure of conquering by the aid of the rouge and the periwig which make him absolutely irresistible. He captures a girl and is at the acme of happiness. Now comes the gist of the matter: if he is able to admit this embellishment, he does not lose all of his infatuating power; when he reveals himself as a plain ordinary man, and bald at that, he does not thereby lose the loved one.
  • So either there is a paradox, that the individual as the individual stands in an absolute relation to the absolute ... or Abraham is lost.


  • One time in Holland when the market was rather dull for spices the merchants had several cargoes dumped into the sea to peg up prices. This was a pardonable, perhaps a necessary device for deluding people. Is it something like that we need now in the world of spirit?
  • "One must go further, one must go further." This impulse to go further is an ancient thing in the world.
  • Faith is the highest passion in a man. There are perhaps many in every generation who do not even reach it, but no one gets further.


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