Saw IV

From Quotes
To love one child and to love all children, whether living or dead—somewhere these two loves come together. To love a no-good but humble punk and to love an honest man who believes himself to be an honest man—somewhere these, too, come together.
Marguerite Duras
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Saw IV is a 2007 horror film. This time, Jigsaw and his apprentice Amanda Young are dead. But when SWAT Commander Rigg is abducted and thrust into his own game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of traps and save two friends or face the horrific consequences.

Directed by Darren Lynn Bousman. Written by Patrick Melton and Marcus Dunstan.
It's A Trap. taglines


John Kramer/Jigsaw

Quotes

[These quotes are only seen in flashbacks]

  • Cherish your life is the concept this entire clinic was built on. Cherish your life. Your life.
  • [To Cecil] You're my problem. And you're becoming everyone else's, too.
  • [To Art Blank] Get the fuck out of here.
  • [To Cecil] You see, things aren't sequential. Good doesn't lead to good, nor bad to bad. People who steal, don't get caught, they live the good life. Others lie, and cheat and get elected. Some people stop to help a stranded motorist and get taken out by a speeding semi. There's no accounting for it. How you play the cards you're dealt--that's all that matters. Look at me. Do you understand what I'm saying to you?
  • It's the tool, the tool that's going to save your life. I want to play a game. Your life is a lie, Cecil. Now comes your moment of truth. As a drug addict and a theif, you've preyed on the kindness of others to fuel your addiction. Today, we're bringing the ugliness inside you out into the open. Now, in order for you to stay alive, we have to match your face with the ugliness of your soul. Just lean forward, into the knives, with your face. Press hard enough, and you'll release the arm and leg restraints that bind you. Press hard, though, and you'll be free. Or, you can sit lightly and bleed out on the floor. Live or die, Cecil. Make your choice.

Tapes

  • Are you there, Detective? If so, you are probably the last man standing. Now, perhaps you will succeed where the others have failed. You think you will walk away untested. I promise that my work will continue. You think it's over just because I'm dead. It's not over. The games have just begun.
  • Hello, Officer Rigg. Welcome to your rebirth. For years, you have stood by and witnessed as your colleagues have fallen. You have remained untouched, while Eric Matthews has disappeared. But, with your survival came your obsession. Obsession to stop those around you from making the wrong choices, thus preventing you from making the right ones. You wanted to save everyone. Tonight, I will give you the opportunity to face your obsession. Look closely. Eric Matthews is still alive. The block of ice he stands upon is melting. He has but 90 minutes to save himself. Detective Hoffman's fate is linked to Eric's survival. Heed my warning Officer Rigg: Their lives hang in the balance of your obsession. Will you learn how to let go and truly save them? The choice is yours.
  • Officer Rigg, your first test. The person in front of you is in desparate need of help. But it is not your job to save them. You view this person as a victim, but if you were to SEE WHAT I SEE, beneath the mask is a criminal undeserving of the life she leads. Your obsession tells you to save the victim. I tell you to walk away. The choice is yours.
  • Hello, Brenda. I want to play a game. An officer will try to save you. If he is successful, then your game begins. This man will use these photos to sentence you for your crimes and the only way to stop him is taped underneath the TV. Let him save you and accept your fate to rot in prison or kill him and gaurantee your freedom. Make your choice.
  • Hello, officer Rigg. In order for you to fully understand my way, you must FEEL WHAT I FEEL. The photo before you is of a man in desparate need of help. In the next room are the tools to his salvation. His life is in your hands but in the end, only he can save himself. Be careful. There are cameras watching and you must hide your identity. Make your choice.
  • If you are playing this tape, then you are one step closer to truly understanding how to save a life. As an officer of the law, you find yourself torn. Is the man before you a victim or a perpetrator of violence? His salvation is out of your hands. It is your choice if you wish to put it into his own. Once this lesson is learned, you will find yourself one step closer to truly saving Eric Matthews. Without you, this man's game cannot begin. Force him into the position to face his demons and let him make the decision.
  • Hello, Ivan. As a voyeur, you have kept photos of those you have victimized. Can you see the pain you have brought them? You have torn apart their lives. You've used your body as an instrument of abuse. Now I give you the choice of what you decide is most important: Your eyes, which have led you blindly astray... or your body, which has caused those around you endless suffering. You have been handed the tools which can save your life. Decide quickly, though. In 60 seconds, the choice will be made for you.
  • The human body is a facinating organism. It can withstand the most brutal injury... and yet repair itself miraculously. But you know this all too well. How many broken bones have you suffered at the hands of your husband? How many flesh wounds have you endured? With time, the bruises have healed, but your pain has not. Today, I empower you to take control of your life. Can you disconnect from the one thing that has brought you and others so much pain? With time, your wounds will heal. His, however, will not. Remove the ties that bind or bleed to death from your inactivity. The choice is yours.
  • Hello, Officer Rigg. What have you learned thus far? Experience is a harsh teacher. First comes the test, second comes the lesson. If you are to SAVE AS I SAVE, then you will see the person in front of you is but a student. So I ask you, Officer Rigg: Has the pupil learned her lesson? Has she been told the error of her ways? Does she now view the world differently? Officer Rigg, the key to this person's freedom lies in the palm of your hand, but only after she has done her own part. Can you play your role in her salvation? Once judgement has been made, though, the key to finding your next destination is just off the map.
  • Hello, Agent Perez. And welcome to the world you have long studied. Your partner, Agent Strahm, will soon take the life of an innocent man. Heed my warning, Agent Perez: Your next move is critical. [Whispers] Open the door...
  • [Part of Cecil's rejected tape] Your life is a lie. Now comes your moment of truth. As a drug user and a huslter, you've played roullette with other people's lives. Today, you play with your own.
  • Hello, Officer Rigg. If you are hearing this, then you have reached Detective Matthews and Detective Hoffman in under 90 minutes, resulting in their deaths. The rules were clear. You were warned. They had to save themselves. Their salvation was out of your hands. Time was on your side but your obsession wouldn't let you wait. Instead of saving Detective Matthews, you cost him his life. You failed your final test.
  • [A reprise of the tape found in Jigsaw's stomach] You feel you now have control, don't you? You think you will walk away untested. I promise that my work will continue. That I have ensured. By hearing this tape, some will assume that this is over but I am still among you. You think it's over just because I am dead. It's not over. The games have just begun.

Detective Hoffman

  • You know never to go through an unsecured door. Ever.
  • [To Rigg] We chose this. Go home.
  • It's time to let go.
  • [About Rigg] Everyone around him keeps dying.
  • [To Art whilst strapped to a chair] You fuckin' hear me, you fuckin' motherfucker?!
  • Game over.

Rigg

  • Eric [Matthews] is still out there.
  • [Whilst Brenda is trying to kill him] I just saved your fuckin' life!
  • [Discovering Ivan is a serial rapist] Is this what you do with your spare time?
  • [To Morgan] You have to save yourself.
  • [After Eric is killed at 00:01 seconds until his freedom] I had more time. I still had fuckin' time!

Eric Matthews

  • [Audio only; Eric's last words in Saw II] I'LL FUCKIN' KILL YOU!! YOU FUCKIN' BITCH!!!
  • I don't want to play anymore.
  • Fuck you! [Before he attempts to commit suicide by jumping off the block]
  • I don't wanna... I wanna stop playing. Why don't you fuckin' kill me?
  • Who?! Who's coming through the door?!
  • Release me!
  • Don't open the door!

Peter Strahm

  • [To Det. Hoffman] We're here to help find who your department couldn't, detective. The person helping Jigsaw and Amanda Young.
  • [To Jill Tuck] How do you feel about a husband who takes a motto from your drug clinic, designed to help people, and twists it into some kind of manic torture mantra?
  • You know, there's a lot of people out there looking for answers, wanting to place the blame on someone. That person is you. But you know what the best part is? I don't have to convince everybody. Just 12 people.
  • Okay, let's review. Girl loves boy, boy loves girl, boy gets girl pregnant, girl loses baby, boy turns into a serial killer. Jill, I'm not buying it.
  • [After Perez is injured; Deleted Scene] Hello, Mrs. Perez? Yeah, hi. This is Peter Strahm. I work with your daughter Lindsey. Yeah. I have some bad news. [Furiously hurls papers and other things into a wall]
  • You see that, Jill? That's a federal fuckin' indictiment. It's got your name on it. You want to put someone else's name on it? You start talking to me, okay? What's with the doll? What's with the tricycle? Who were John's business associates before he went insane?
  • Where the hell is Art Blank?! Obstruction of justice, aiding and abetting, conspirator to murder. TALK TO ME! In 15 minutes, more people are gonna die, Jill. Police officers. [Refers to Art Blank] He's business partner. He's a friend. He is the accomplice we have been looking for and he is your fuckin' LAWYER!
  • [Referring to Perez' blood on his shirt] You see this? This is my partner's blood. She's fighting for her life right now in a hospital because of your lunatic husband. What happened between Jigsaw and Art Blank?
  • [Finding Jeff] Let me see your fuckin' hands!

Art Blank

  • It will come back to you.
  • Hey, asshole. If you jump off that block, you electrocute him. [Points a revolver at Hoffman] If that block had melted more, he'd be fried. Do you understand?
  • Listen to me. I'm not the one you gotta worry about. You understand me? I'm not the one you gotta worry about. [Under his breath] Asshole. As a matter of fact, I recommend you stay alive until the fuckin' clock counts down. [Picks up his revolver] Here's the good news: If this other guy finishes his test, the three of us can go free. Hey, look at me. Look at me. If you don't stay on the block, your partner gets electrocuted. Now for my final task. [Hands Matthews the revolver and a single bullet] Live or die. You make the choice.
  • Jigsaw's testing you, you fuckin' piece of SHIT!!!

Others

  • Dr. Heffner: [First lines of the movie] Subject's name is John Kramer. 52 year-old male, caucasion. He's seen better days.
  • Fisk: Looks like another doctor went missing at the hospital.
  • Jeff Reinhart: [Last words] Where is my daughter, you mother?!--[Strahm shoots him twice] --fuck...
  • Tracy: [To Rigg] What you can't do is save everyone.

Dialogue

[During the autopsy, wax-covered tape is found in Jigsaw's stomach]

Dr. Heffner: What the hell? Get homicide here. Now.
[Det. Hoffman arrives]
Hoffman: Where is it?
Dr. Heffner: It was in his stomach.
[A doctor shows him the tape in wax]
Hoffman: Cut it out.
[Flashback: John pours wax on a tape in Saw III, then swallows it]
[Hoffman takes out the recording tape, the places the wax tape into a tape player]
Autopsy Tape: Are you there, Detective? If so, you are probably the last man standing. Now, perhaps you will succeed where the others have failed. You think you will walk away untested. I promise that my work will continue. You think it's over just because I'm dead? It's not over. The games have just begun.

[Hoffman, Rigg and some other police officers have discoverd Detective Kerry's corpse]
Hoffman: [After Rigg goes through an unsecured door] Are you trying to get yourself killed? You know never to go through an unsecure door. Ever.
Rigg: I thought she was still alive. I thought I could save her. Did you ever think that we would end up here when you first started?
Hoffman: No. I didn't see it happening like this. Why the hell do we still do it?
Rigg: It's in our nature to save them. It's what we do.
Hoffman: Right. [Reading off the wall behind Rigg] "Cherish your life."
Rigg: What?
Hoffman: The fucking motto. We're supposed to cherish our lives.
Rigg: Well, how the hell are we supposed to do that when this is our lives?
Hoffman: We chose this. Go home.
Man: [Over radio] Hoffman, there are two agents here to see you.
Hoffman: Copy.
[Hoffman leaves]

Lindsey Perez: Detective Hoffman?
Hoffman: Yes.
Lindsey Perez: I'm special agent Lindsey Perez. This is special agent Peter Strahm.
Hoffman: How can I help the FBI?
Lindsey Perez: We're here about Detective Kerry. She was our liason.
Peter Strahm: "Open the door and you will find me."
Hoffman: What? [Strahm tosses him a key] What's this?
Peter Strahm: The key that came from our last message from Detective Kerry. "Open the door and you will find me" mean anything to you?
Hoffman: No.
[Rigg walks by and leaves]
Peter Strahm: Where's the body?

Fisk: The crime scene photographer's flash picked up this bullet casing. It was lodged between the body and the device.
Hoffman: Run it for prints.
[Strahm and Perez enter]
Lindsey Perez: The lock was open. She couldn't get out.
Hoffman: It was constructed for her exectution. Betrayed the rules.
Lindsey Perez: Not a Jigsaw trap then.
Hoffman: No. Amanda Young, the accomplice--
Peter Strahm: This wasn't done by Amanda Young.
Detective Hoffman: Excuse me?
Peter Strahm: Detective Kerry weighed aproximately 130 lbs. Amanda Young's arrest report has her at 107. She couldn't get her up there alone.
Detective Hoffman: John Kramer was--
Peter Strahm: A bedridden cancer patient? He's brains, not brawn.
Hoffman: He was also an engineer. He could have rigged pulleys--
Strahm: Or someone else could have helped him.
Hoffman: Special agent, if you're here for any other reason than just to assist--
Peter Strahm: We're here to help find who your department couldn't, detective: the one helping Jigsaw and Amanda Young.

[Rigg is watching a tape of Hoffman interrogating Jill Tuck]
Rigg: She knows something.
Hoffman: I thought you were going home. You have vacation time, right? Take it. Finish the remodeling, spend some time with Tracy.
Rigg: She understands.
Hoffman: Then don't take her for granted.
Rigg: Eric is still out there, man.
Hoffman: Eric's been missing for six months. Kerry was gone for four days. I can only be as optimistic as the facts allow.
Rigg: Yeah, well I'm in it till I find him.
Hoffman: Finding his body is not going to vindicate us.
Rigg: Finding him alive will.
Hoffman: It's time to let go. I want you to go home. I'll call you later to make sure everything is okay.
[Rigg leaves]
Linsdey Perez: Who's he?
Detective Hoffman: Lieutenant Rigg, our SWAT commander.
Peter Strahm: What's his problem?
Detective Hoffman: Everyone around him keeps dying.

[Rigg finds Brenda in his house]
Brenda: Are you a cop?
Rigg: What?
Brenda: ARE YOU A COP?!
Rigg: Yeah, I'm a cop.
[Rigg pulls off her pig mask, starting the device she is tied to]
Brenda: What is that?

[Fisk enters and shows some prints to Strahm and Perez]
Fisk: Hey, the prints just came in. They're from officer Rigg.
Officer: Fisk.
Fisk: Not now.
Officer: We just got a call of shots fired from 23 Park Place.
Fisk: That's Rigg's apartment.

[Strahm, Perez and other police officers have discovered Brenda's corpse from earlier.]
Peter Strahm: It's started.
Lindsey Perez: Strahm... [Peter comes over; holding a flashlight over some of the photos] Two detectives. You see this?
Strahm: Hoffman-- you got a 20 on him?
SWAT Pete: Not yet. [To Fisk] Hoffman.
Fisk: Calling.
Lindsey Perez: How do you explain Detective Matthews?
Peter Strahm: He's alive.
Lindsey Perez: Six months. Jigsaw never kept anyone that long.
Peter Strahm: No one but Amanda Young.
Lindsey Perez: You think he's been fixed?
Peter Strahm: Why these six?
Lindsey Perez: Hoffman's a decorated lieutenant. He doesn't fit the profile.
Peter Strahm: That's what you see... but what does he see? [Gestures to the SEE WHAT I SEE on the wall]
Lindsey Perez: Rigg trying to save his two friends.
Peter Strahm: Maybe. You got names and locations on any of these people?
SWAT Pete: Working it.
Lindsey Perez: This is overkill. It's a setup to announce Rigg is the accomplice.
Peter Strahm: Or a setup for his alibi. Everyone around him keeps dying. Where is he to tell us he's innocent or what the hell these photos are doing in his apartment? Look there. [Shines a light to show ultraviolet paint]
Lindsey Perez: "Four walls build a home?"
Peter Strahm: What does he want us to see on these walls?
Lindsey Perez: The victims?
Peter Strahm: [Takes two photos] One of these photos doesn't belong. [Takes off more pictures] This is who we're looking for. [The photos are of Jill Tuck]

[At Jill Tuck's drug clinic]
Cecil Adams: Fuck, man! I'VE BEEN HERE FOR THREE FUCKIN' HOURS!!!
Michael: SHUT THE FUCK UP!!
Cecil: You shut up.
Gus: Are you out of your fuckin' mind?! [Bitch slaps Cecil]

Later...

John: [After Cecil takes out a switchblade] You don't want to do that.
Cecil: The fuck's your problem?
John: You're my problem. And you're becoming everybody else's, too.

[In Rigg's FEEL WHAT I FEEL test.]
Peter Strahm: He's been identified as Ivan Landsness. Aquitted of rape three times. Had to gouge out his own eyes in order to release himself.
Lindsey Perez: How does something like this get into a motel room undetected?
Peter Strahm: Piece by piece.
SWAT Pete: The room's been rented for the past six days to a lawyer named Art Blank. Get this: he went missing two weeks ago.
Peter Strahm: Run his name, get his addresses. Two of the five people on Rigg's apartment walls are dead. Every partner he's ever worked with--dead.
Lindsey Perez: Rigg didn't kill Ivan. Ivan made his own choice. Isn't that the whole Jigsaw mantra?
Peter Strahm: This wasn't about Ivan. It wasn't his test. [Points to the FEEL WHAT I FEEL on the door] It was about Rigg. [Takes two photos] Look at these photos. Tell me how you feel. Look at these women and tell me how you feel.
Lindsey Perez: Angry. Enraged.
Peter Strahm: Exactly. The pimp, the rapist-- Jigsaw wanted Rigg to see what he sees. He wants him to feel what he feels. This wasn't about Rigg saving his friends. He's being recruited.

[In the JUDGE AS I JUDGE test]
Eric Matthews: I don't wanna... I wanna stop playing. Why don't you fucking kill me?
Art: No.
Hoffman: Shut up!
Eric Matthews: I don't wanna play anymore.

[At Rigg's SAVE AS I SAVE test]
Lindsey Perez: "Save as I Save." So what did he do, free her and let him die?
Peter Strahm: This guy didn't have a chance. He's got rods going through every major artery in his body. "Your life is in her hands." Rigg didn't kill this guy. His wife did.
Lindsey Perez: She identified Officer Rigg, said he saved her.
Peter Strahm: Saved?
Lindsey Perez: Yeah.
Peter Strahm: She passed Rigg's judgment, got fixed and got her freedom back. [Perez answers her cell phone] Second address? [Perez gives a no gesture.]
Lindsey Perez: [To Peter] I just found out something interesting about the three people in the traps. They were all represented by a lawyer named Art Blank.
Peter Strahm: He got them all off?
Lindsey Perez: Yeah. But wait. It gets better. He's also Jill Tuck's lawyer.
[A forensics man accidentally sets off a harpoon gun]
Peter Strahm: [Pulls Perez out of the way] Look out!
[The harpoon gun misfires and kills a forensic photographer]
Peter Strahm: The lair-- where's the lair?
Lindsey Perez: Raided. It doesn't exist.
Peter Strahm: Jigsaw wanted us to find that place. Where's the new game being played? We find that place, we find Rigg.
Lindsey Perez: We got a second address. There's a co-owner.
Peter Strahm: Who?
Lindsey Perez: Jill Tuck.
Peter Strahm: Jill Tuck? Where's the building?
Lindsey Perez: Here. This building.

[Agent Strahm slams a paper on the interrogation table]
Peter Strahm: You see that, Jill? That's a Federal fucking Indictment. It's got your name on it. You wanna put someone else's name on it, you start talking to me. Okay? What's with the doll? What's with the tricycle? Who were John's business associate before he went insane?
Jill Tuck: He wasn't the associate type.
Peter Strahm: Where the hell is Art Blank?! Obstruction of Justice, Aiding and Abetting, Conspirator to Murder. [Shouts] TALK TO ME!! [Normally] In fifteen minutes, more people are gonna die, Jill. Police Officers. He's a business partner. He's a friend. He is the accomplice we have been looking for, and he is your fucking LAWYER! [Knocks the table over] You see this? [Points to the blood on his shirt] This is my partner's blood. She's fighting for her life right now, in a hospital, because of your lunatic husband. What happened between Jigsaw and Art Blank?

[Cecil Adams awakens restrained to a chair by several blades jutting into his wrists]
Cecil: Hey, it's you. You did this to me.
John: No. You did this to yourself. Your greed took the life of an innocent child.
Cecil: Could you give me time to explain, please?
John: I can't give you time. No one can. Time's an illusion.
Cecil: Look, look. I'm sorry. I'm sorry.
John: I forgive you, Cecil. I do. Addiction has ruined your life.
Cecil: I'm bleeding, man. Please just let me go.
John: I could let you go. That wouldn't serve you. I'll tell you what I will do, though. I'll give you a tool to reclaim your life, to discard the vices that have so corrupted your soul.
Cecil: I don't have a fucking soul.
John: Maybe you will in the next life, Cecil. You see, things aren't sequential. Good doesn't lead to good nor bad to bad. People who steal, don't get caught live the good life. Others lie, cheat and get elected. Some people stop to help a stranded motorist and get taken out by a speeding semi. There's no accounting for it. How you play the cards your dealt--that's all that matters. Look at me. Do you understand what I'm saying to you?
Cecil: Oh, yeah. I understand. You're fucking nuts!
[John sets a apparatus with 4 blades on both sides in front of Cecil]
Cecil: [Shouts] What the fuck is that?
John: It's the tool. The tool that's going to save your life. I want to play a game. [Places the apparatus on the chair] Your life is a lie, Cecil. Now comes your moment of truth. As a drug addict and a thief, you've preyed on the kindness of others to fuel your addiction. Today, we're bringing the ugliness inside you out into the open. Now, in order for you to stay alive, we have to match your face with the ugliness of your soul. Just lean forward into the knives with your face. Press hard enough and you'll release the arm and the leg restraints that bind you.
Cecil: HELP!!!
John: Press hard though, and you'll be free.
Cecil: You-you sick fuck! Fuck you!
John:' Or you can sit idly and bleed out on the floor. Live or die, Cecil. Make your choice.
Cecil: Fuck you! You sick fuck! HELP!!!

[Strahm leaves the interrogation room, then enters back after looking through a folder]
Peter Strahm: Your son was named after John's first building. Right?
Jill Tuck: Yes.
Peter Strahm: Where is it? [Repeated takes of hitting the wall next to her] WHERE IS IT?! [Calmly] Where is it?

[Strahm enters Jigsaw's Lair from the third film]
Jigsaw:... I've cause you and your wife tonight? Which is it gonna be, Jeff? Live or die, Jeff. Make our choice.
Jeff: I forgive you. [Power saw is heard]
Lynn: Jeff. Jeff!
[Strahm is outside the door when it closes]

[Strahm enters the operation room from the third film and finds Jeff there, holding a gun]
Peter Strahm: Let me see your fucking hands.
Jeff: WHERE IS MY DAUGHTER, YOU MOTHER--[Aims his gun at Strahm, who shoots him twice in the chest]...fuck. [Falls dead]

[Rigg has opened the door under 90 minutes, killing Det. Matthews and Hoffman]
Art Blank: Oh, you stupid motherfucker. What did you do?
Rigg: I had more time! [The clock reads 00:01] I STILL HAD FUCKING TIME!
Art Blank: Why did you open that door--?
Rigg: You fucking did this!
Art Blank: No, you idiot!
Rigg: You fucking did this!
Art Blank: No! Jigsaw's testing you, you FUCKING PIECE OF SHIT! [Reaches into his bag]
Rigg: [Pulls out his gun] Put your fucking hands where I can see them! PUT YOUR FUCKING HANDS WHERE I CAN SEE THEM!!!
Art Blank: JIGSAW'S FUCKING TESTING YOU! [Pulls out a tape recorder]
Rigg: DON'T FUCKING MOVE!!!
[Rigg mistakes the tape player for a weapon and shoots Art in the head]
Tape: Hello, officer Rigg. If you are hearing this, then you have reached detective Matthews and detective Hoffman in under nintey minutes, resulting in their deaths. The rules were clear. You were warned.
[Flashbacks]
Rigg: It's Kerry!
Hoffman: Do not go through that door! [Rigg does exactly what Hoffman just told him not to do] You know never to go through an unsecure door, ever.
Tape: [Previous] Tonight, you face your obsession.
Tracy: What you can't do is save everyone.
Tape: [Previous] Will you learn how to let go?
Rigg: Eric is still out there, man.
Hoffman: It's time to let go.
Tape: [Previous] Detective Matthews has but ninety minutes.
Art Blank: [To Eric Matthews] I recommend you stay alive until the fucking clock counts down.
[Current time]
Tape: They had to save themselves. Their salvation was out of your hands. Time was on your side, but your obsession wouldn't let you wait. Instead of saving detective Matthews, you cost him his life. You failed your final test.
[Rigg crawls onto a table while Hoffman unstraps himself, then stands over Rigg]
[Flashbacks]
Rigg: [About Troy's test] What I don't understand is how the hell Jigsaw could have done all this. He was damn near on his deathbed last time we saw him.
Kerry: I'm not so sure he did.
[Brief scene of Hoffman pocketing evidence, seen in Saw III.]
Peter Strahm: This wasn't done by Amanda Young.
Hoffman: Excuse me?
Peter Strahm: She couldn't get her up there alone.
Hoffman: John Kramer was--
Peter Strahm: He's brains, not brawn. We're here to help find the person helping Jigsaw and Amanda Young.
[Hoffman writes the letter Amanda read in Saw III.]
Fisk: Looks like another doctor went missing from the hospital.
Hoffman: You go home. We chose this.
[Current time]
[Hoffman unplugs Art's camera monitors, and walks around Rigg]
Hoffman: Game over. [Leaves]
[Hoffman enters the lair from the third film, and before Agent Strahm can react, locks him inside, and leaves]
Autopsy Tape: You feel you now have control, don't you? You think you will walk away untested? I promise that my work will continue. That I have ensured. By hearing this tape, some will assume that this is over, but I am still among you. You think it's over just because I am dead? It's not over. The games have just begun.

Taglines

  • It's a trap.
  • This Halloween, fear will be embedded in a whole new way.
  • You think it is over just because I am dead. It's not over. The games have just begun.
  • Halloween blood drive
  • If it's Halloween, it must be Saw...

Cast

Tobin Bell- Jigsaw/John Kramer
Costas Mandylor- Forensic D. Hoffman
Scott Patterson- Agent Peter Strahm
Betsy Russell- Jill Tuck
Lyriq Bent- Lieutenant Rigg
Justin Louis- Art Blank
Donnie Wahlberg- Detective Eric Matthews
Angus Macfadyen- Jeff
James Van Patten- Dr. Heffner
Billy Otis- Cecil Adams
Sarain Boylan- Brenda
Marty Adams- Ivan Landsness
Janet Land- Morgan
Ron Lea- Rex

See Also

Saw
Saw II
Saw III
Saw IV
Saw V

External Links

Wikipedia
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