Vytautas Juozapaitis (born December 14, 1963 in Radviliskis, Lithuania) is a Lithuanian singer (baritone), the recipient of Lithuanian National Prize, a soloist of Lithuanian National Opera and Ballet Theatre, a docent of Academy of Music and Theatre.
- This Don Giovanni had heat, passion and total commitment from everyone involved under dynamic, dramatic direction of conductor Metodi Matakiev. The Don was Lithuanian baritone Vytautas Juozapaitis, a highly physical, Douglas Fairbanks / Errol Flynn kind of Don. Tall, dark, quite handsome, a really sexy beast possessed of a bronze colored voice of power and some suavity, completely at ease on stage, and finally a Don who actually ENJOYS to the hilt the life of a promiscuous hedonist. He was close to irresistible.
- William Fregosi, Opera - L (September 24, 2003)
- Vytas Juozapaitis is simply terrific as the Don; lean, agile, and the possessor of a Zorro-like sexiness, he seemed part old fashioned matinee idol, yet firmly rooted in the here and now a la Johnny Depp. Like the singer, the voice is attractive, lean and powerful. His seduction of Zerlina, smooth as silk. He had the audience in the palm of his hand.
- Paulo Padillo, Opera - L (September 24, 2003)
- The greatest credit for the evening's success must be given to the rich-voiced Juozapaitis as Giovanni, and bass-baritone Stefano de Peppo as… Leporello.
- Boston Herald (September 25, 2003)
- Lithuanian baritone Vytas Juozapaitis brings presence and a warm, strong voice to the title role. When we first see him, hair flying in mid-rape, he looks like Johnny Depp in Pirates of the Caribbean.
- Richard Dyer, "Teatro's Don Giovanni a rousing production". Boston Globe (September 25, 2003)
- From his entrance, in medias rape, Vytas Juozapaitis had a compelling presence as both seductive and dangerous Don Juan. He had a dash, swagger, a sense of humour, and a strong, lustrous voice. He's a good actor too. You believed both in the way he was driven by his carnality and in his self possession. In short, he embodied the music.
- Lloyd Schwartz, "Teatro Lirico's fire breathing Don Giovanni". Boston Phoenix (October, 2003)
- The slim and agile baritone, Vytas Juozapaitis, portrayed the Don as a self centered nobleman. He sang with a pleasant voice, and unlike most interpreters of the role, he had no trouble tossing off the 'Champagne Aria' at top speed.
- Opera Japonica (October, 2003)
- The Don's difficult role never seemed to tax Juozapaitis excellent dramatic voice. Throughout the opera listeners were charmed by his great expressive range as he moved with ease from comic exchanges with Leporello to tender love sings.
- Martha Fawbush, "Bravo Concerts opens with excellent performance of Mozart classic". Asheville Citizen Times (October, 2003)
- What can I write about Vytautas Juozapaitis? Months ago, a singer with this same name gave one of the most Mozartean accounts of Don Giovanni I've ever experienced: a lean, yet warm sound, exciting and a little on the dangerous side - utterly (and wonderfully) self-absorbed. The man singing Giorgio Germont could not possibly have been this same artist. This was Verdi singing of the highest order - as if to the manor born. A molten, rich expressivity and attention to Verdian line that in its size, detail and musicality recalled the greats: Gorin, Merrill... you get the idea. The name may not trip off American tongues with ease... yet, but in an era often thought bereft of Verdian voices Juozapaitis is the real deal. Every moment of his Germont was filled passion and, like all of the cast members, every word of the Italian was naturally produced and understandable. Mama mia this man's got it!
- Paolo Padillo, "A Traviata of Note: Teatro Lirico d'Europa". Opera - L (March, 2004)
- With Vytautas Juozapaitis as a perfectly evil Don Giovanni, the Teatro Lirico d'Europa seduced an audience of about 850 at the Garde Arts Center Monday night. Juozapaitis, a singer with the Lithuanian National Opera, stood out as the despicable title character of this most famous of Mozart operas. He took over the stage with both his supple and strong voice as well as a stage presence that seemed so natural it was hard to look at him without thinking he was Don Giovanni.
- Lee Howard, "'Don Giovanni' Delights Opera Fans at the Garde". The New London Day (April 1, 2004)
- Lithuanian baritone Vytautas Juozapaitis, last year's devilish, dark-toned Don Giovanni, Teatro Lirico has a powerful singer with an impressive stage presence. Sparks flew because Vasileva and Juozapaitis created such emotional tension: she more nuanced than the usual submissive heroine, he more sympathetic than the stock villain.
- Lloyd Schwartz, "Agonies and Ecstasies". The Boston Phoenix (April 9, 2004)
- Last night's fierce-eyed Don Giovanni, sung by Vytautas Juozapaitis, was a lean and hungry predator (...) Mozart's dark comedy has been realised with grandeur.
- Peter Palmer, "The secret is out… so don't miss out". Evening Post (July 22, 2004)
- This accessible production [of Don Giovanni - ed.] concentrates on the comic delights of the piece and rests heavily on the roguish charms of Vytautas Juozapaitis in the title role. Indeed, he's so delightfully decadent, and so charismatic a performer, that the righteous indignation of those he has harmed makes them seem priggish in comparison.
- Nigel Powlson, "Womaniser's charms are hard to resist". Derby Evening Telegraph (July 23, 2004)
- Vytautas Juozapaitis' Don Giovanni filled the performance. The singer won the audience not only with his impeccable impersonation of the gallantly vicious philanderer, but also with his vocal rendition that didn't leave any of the listener's desires unfulfilled.
- Stephan Thomas, "Laue Sommernacht für Don Giovanni". Solothurner Zeitung (July 16, 2005)